Thanks for sharing. I like the idea of combining autobiography with fiction for an anti-memoir... Interesting that she had a disclaimer on the book jacket.
The Stuff That Dreams Are Made Of Before anything else, I just have to say – wow. Azar Nafisi is one hell of an inspirational writer. She starts off talking about her sense of home. That Iran had always been the home that she wanted to go back to when she was studying abroad and that classic novels and poetry became a sort of home for her. Then she tells us that she finally did go home to Iran only to find that it was not the home she remembered. She arrived to witness the stripping of rights and freedom, of creativity and imagination. Lastly, Nafisi challenges her readers to ponder our own humanity. Her words are eloquent and impactful. They’re the type of words you’d expect to hear from a great leader. She started slow and worked her way up to a profound ending. I didn’t expect the beginning, where Nafisi describes herself as a spoiled brat running...
DISCLAIMER: I started with a very personal story not for any reason but my own in order to make sense of what I need to say about the craft (it might not be apparent to the reader.) This book hit very close to home for me and were a lot of parallels that made it hard to delve into the craft. Anyways, I did the best I could currently. If you want to skip over the story you can scroll down to the dashed line and under that is my craft response. Sorry To Disrupt The Peace by Patty Yumi Contrell initially was a difficult and emotionally disturbing but also comforting for how Helen’s experience hit so close to home for me. Last August I had started the MFA program here at Mills College when I received a call from my adoptive mother who I could hardly understand over the phone. “He’s gone! He’s gone!” She cried into the phone. “Who?” I replied. “Jerid, he’s gone. He’s dead.” I don’t remember whethe...
Many of the essays in this collection are about Iranian identity (how it has changed, what it has become), and that theme continues to be thread through "Sex in the Time of the Mullahs" and "Misreading Kundera in Tehran." Though Azadeh Moaveni and Nagmeh Zarbafian discuss different subject matters, they both discuss and unravel modern Iranian identity. Structurally, they also both use their own experiences to draw on larger concepts. In "Sex in the Time of the Mullahs," Moaveni recounts her experience attending a secret party in Tehran. She described how Iran is experiencing "a sexual revolution behind closed doors," in which Iranian youths engage in sexual activity as well as drinking and doing drugs - in general, activities for which they would be arrested outside of their homes. Moaveni relates that this partying, done in private, helps to restore these Iranians' "sense of autonomy" and display their "total disregard f...
Thanks for sharing. I like the idea of combining autobiography with fiction for an anti-memoir... Interesting that she had a disclaimer on the book jacket.
ReplyDeleteI like the description "curdled realism."
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