Untwine - Response
Edwige
Danticat does an amazing job of creating this almost addictive quality of
intrigue and drama. To be honest, I can’t say for sure if this is a quality a
lot of young adult novels have but I think Danticat worked this aspect to bring
a fast paced life to her work. We start the story off in an everyday sense that
turns extremely violent. I keep thinking about how Danticat does this. She
turned a normal day into the worst day of the main character’s life within
seconds of pages. She seems to do this by focusing on a single perspective that
tries to empathize with every other character in the novel. Mostly empathize
and then characterizing her passed away twin. The way Danticat creates meaning
is by implying a close bond (that between twins in this novel) and then really
writing out how close that bond was through description (most of this detail
being given to the reader after her death) and through how other characters
spoke of that bond; thereby inciting a lot of emotion. The twin who passes,
Isabelle, has maybe all of five lines in the entire novel but we know exactly
who she is in her death by how her twin sister talks about her and her
conveniently close family members talk about her too; the memories we are given
when Gisabelle is in the coma, all of these moments build Isabelle’s character
indirectly. By the end of the novel though, I was tired of the quality that
made the book so “addictive” to me in the beginning. I felt as though my heart
strings were trying to be strummed when they had already twanged out of place.
Danticat uses exposition in an
interesting way. We get a good set up of a “normal” day in the lives of our
main characters, the twins Isabelle and Gisabelle. Through this beginning
exposition we also get the beginning of certain through lines to other media
references, very much like allusions. One of them is the repetition of “we’re
late, we’re late for a very important date. No time to say hello goodbye, we’re
late, we’re late” (Danticat 13). I do believe this is a reference to a
character in Alice in Wonderland. We get another perspective of our main
character who lives, Gisabelle, from this perspective who seems to have been
going through her own twisted “wonderland” now that her sister’s death has
plummeted her through a rabbit hole to another life. We get another reference
from the Disney movie Sleeping Beauty; “But I remain the other Sleeping Beauty,
the one who will not be awakened by a kiss” (Danticat 92). Giving us a view of
who Gisabelle’s character is through references to a Disney movie; which I
believe is fitting for a young adult book. Both of these references to other
media movies gives us an idea of who Gisabelle is and who she is becoming after
he twin sister’s death. Danticat does a good job of continuing to create
meaning through these references as Gisabelle continues to blame herself for
making them late to her sister’s recital with the Alice in Wonderland
reference. And continues having the reader understand more about Gisabelle’s
love life through the reference to Sleeping Beauty. The rest of our exposition
comes when we step away from the major plot line. And it is always relevant to
Gisabelle and Isabelle’s relationship; it also supported the World building
that Danticat does throughout the book.
I thought the moments when Gisabelle
was in the coma were very important to the development of the novel. Because when
she was in the coma Danticat gives us a lot of detail in the body and then
segways into memories that Gisabelle has of her twin. This is where we are
stuck in the coma with Gisabelle, because we see this World through Gisabelle’s
eyes, and because of that we want to know so much more as Danticat teases us
with information that Gisabelle could never find out unless she could wake up
to ask the questions. One part of that information that incited a lot of
emotion within me was the hint of this car crash being intentional. I wanted to
speed read throughout the whole novel just to see if it was true and where
Danticat was going with this through line. Danticat does indeed do something interesting;
she shifts the blame of the car crash to the universe and away from this girl
who apparently is a victim herself. By doing this, Danticat is using this
platform of the novel to speak about the social issue of human trafficking. This
little girl seemed to have been trying to get away from her abusive situation
when she was riding in that car. When Gisabelle hears that the girl wishes she
were dead rather than Isabelle, this strikes Gisabelle. And it also strikes the
reader. The remorse the girl has dampens the vengeful spirit of the reader,
even though the characters seemed to have wanted more. I enjoyed the sentiment
that Isabelle was keeping Gisabelle in the coma to say goodbye to her; like
walking her into the afterlife before Gisabelle had to wake up and come back
into reality; a new person.
I really liked your comments about the Alice in Wonderland reference, I had forgotten all about that and I found it very hypnotizing when I had been reading it. Giselle really is in a kind of twisted fairy tale that she and Isabelle share for awhile. When she wakes up from her coma, it has this dream-like quality to it, but she also feels it's very real and keeps thinking about it over the course of the book.
ReplyDeleteI was also intrigued by her use of mystery, the car crash not quite being an accident had me very curious. I didn't find the reveal very satisfying, I was expecting more around this subject, but I think it's interesting that even Giselle, in her deep sadness, still felt sympathy for Janice Hill and could put that issue to bed. This is a much more realistic cause for a crash, but sometimes I wondered if the story needed it at all.
Duane,
ReplyDeleteFirst, I have to call you out on getting the narrator's name wrong: it's Giselle, not Gisabelle. That'd be really funny if the twins were named Isabelle and Gisabelle. It'd be too cruel of their parents to give them names that are only off by one letter. The matching -elle at the end is as far as parents should push it, I think. Does your twin brother's name rhyme with yours?
Okay, now that that's out of the way, I'll get a more scholarly comment. I think it's interesting that you say, "By the end of the novel though, I was tired of the quality that made the book so 'addictive' to me in the beginning. I felt as though my heart strings were trying to be strummed when they had already twanged out of place." I felt the opposite. I was quite a ways into the book before I had developed enough of a connection to the characters to feel very sad about Isabelle's death. So, I didn't feel the heart-wrenching sadness for long enough to be exhausted by it. Then the end came, and with it, a kernel of hope that Giselle and her family would be alright given time.
- Erin